Santiago Segura had the decency to wait six years from the latest installment of Torrente. At least this detail has let stand the character and create a minimal expectation. Of course, from the time that was given to know the premiere of the fourth part, the phenomenon has broken ruthlessly. The buddy has walked promotional t all set franchise that boasts, without regard or distinction, from the fields to Quintana, from Pablo Motos to Wyoming. What separates the audience arrives and joins Torrente. Result: more than eight million euros in revenue in its first weekend. The highest-grossing English premiere of history. is clear that the phenomenon Torrente is an uncomfortable reality for English cinema . While the Academy is filled mouth tapes touting the virtues of copyright, it is ultimately the only personnel move their computer screens is a Kafir and dubious production intelligentsia. Deep dismay that since then diluted in reach the spectacular profits. Surely, in the course of next year's Goya, the shift manager is proud of the good health of our cinema. It is likely that even the pretext for action against piracy. Figures
and inconsistencies aside, if anything has become apparent is a good host of the series cañí. However, Torrente with the same thing happens with the trash TV. Confess to being among the few million viewers this weekend, much less recognize have enjoyed it. Not me who commits such an attack on my self-image, largely because of new Santiago Segura disappoint me again. Not because I wait a finer humor, but just the opposite. Many see such a despicable character an apology for the homophobia, xenophobia and other phobias politically incorrect. I saw a lucid Torrente parody, a huge exaggeration of the feelings that still exist in our society, hidden behind a mask of correction. Public reactions to the film no end to clarify this point. Torrente laughs When a veil or Arab illegal immigrants is impossible to know whether next door or Descojonado by affinity folly. Better not ask.
In any case, I am aware that social criticism is not exactly The aim of these films. Maybe it's the excuse that I seek to avoid acknowledging that what I enjoy the background of Torrente are the faux pas, his homage to the ass-fart-poop-pee. And frankly, in this fourth installment the director has seized on the autopilot of cameos and has forgotten some of that humor primitive, somewhat embarrassing, but it provokes laughter more instinctive.
cameo Convert almost a genre has its risks. Paquirrín We can see that is harmful as second in command and, instead, Yon González assumes the role of pimp, surprisingly . Belén Esteban that appears a little forced but with some dignity and, in turn, brings more David Bisbal on the soundtrack in his ridiculous appearance. But if I had to stay with a spontaneous, that would undoubtedly, Carmen de Mairena. Your time is so surreal that ends up being the least fascia. In short, Santiago Segura a quarter gives us significantly better than the third (it was not too hard) but that in no way redeems the spirit of Torrente, the Dumb Arm of the Law and its sequel in Marbella. Looking the fifth, it would pull less than cronies and a little more than the much criticized original dandruff. Because, as pointed out the other day Ramon of Spain, this saga is more X-ray lucid English cinema has on our tragicomic country.
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