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THE OSCAR 2009: BEST DIRECTOR

not happened since 2005 that the five nominees for best director match the five nominees for best film. This year it is, and as I said our colleague S. Rico this has not brought good luck in the forecasts. "Last time, in 2005, Ang Lee saw as his movie" Brokeback Mountain "was defeated by" Crash "(...) and in 1981, warren Beauty felt the same as the Asia director years later to see how not pronounced the name of his film, "Red", moments later, but was "Chariots of Fire" that could rise as the best film of the year. "

This year, the outcome speaks of a clear victory in the best director Danny Boyle and "Slumdog Millionaire" on film. Do you repeat the curse?

DANNY BOYLE: If only a few months ago tell us Danny Boyle was going to win the Oscar does not have believed us. The British filmmaker's career is full of ups and downs. In his films appear bright titles like "Trainspotting" or "Millions" with disappointments like "The Beach" or "Sunshine." However, his film has a special character. Always look for originality, detail, perspective. "Slumdog Millionaire" has served as a platform to excel, to endow his new film elements, and still see the reality, create a story that has captured the hearts of millions. Others do not see it. As tiooscar.com where say their victory "in the history of the Oscars will be remembered as one of the biggest mistakes of the Academy, as the awards to Crash for Best Picture or Best actor Roberto Benigni. Time to time. " is his first nomination

Stephen Daldry: Daldry The Academy loves. It is undeniable to earn three Oscar nominations for best director with his only three movies filmed. It is certainly a director of the detail, the sensitivity, which filmed the emotions of his characters in a way strenuous. His films feel, touch, transmitting, I collapsed ... pure emotions that seep into every frame. It happened to dancer Billy Elliot, with the grieving Virginia Woolf and also here Hanna's character. A priori, it is the great alternative to Boyle, but it seems you have to follow your heart in the fourth film to try to get the Oscar.

David Fincher Without a doubt, the best director of his generation. Tanning in the world of video, Fincher has given us modern gems like "Fight Club", "Se7en" and some even say, "Zodiac." "The curious case of Benjamin Button" is his most classic film, closer to the convecionalismos of Hollywood cinema. Of course, in this format, pampers to detail the technical section giving us a flawless film in this section and has the stamp of his great movies. A film misunderstood by many and praised by others to tears. Fincher always divides. In this case, too.

GUS VAN SANT: Of the five, without doubt, the most transgressive filmmaker. His debut was with a gay film called "Bad night." It would more relevant if we were not talking about 1982. Praise and criticism in equal parts, Van Sant has always created his film, he likes sailing from one extreme to another. "Gerry" and "Elephant" are two of the most paradigmatic examples of their films. With "Milk" back to savor the recognition of the Academy, which was only thought of him in 1997 with "Good Will Hunting." Returning to the gay theme, in this case Van Sant dazzles us with this great biopic of one of the largest gay activists in history.

RON HOWARD: That Ron like the Academy is more than demonstrated. With "A Beautiful Mind" won two Oscars as producer and director, and in this case returns to touch the glory with "Frost / Nixon." Criticized for its excessive classicism, Howard is one of those Hollywood filmmakers fleeing currencies to take refuge in the essence of cinema.

OUR PREDICTION WINNER: DANNY BOYLE "SLUMDOG MILLIONAIRE"