For S. Always Rico during the 24 awards that rubs on the night of the Oscars, there are surprises that we end up liking them all and they become curses. Curses that warn us of the complexities of predicting the champions of more doubts coming years we played with out the names to be delivered at the ceremony.
For example, in the first place, is the third time in almost thirty years that the five directors and five nominated films are the same. A fact that has not brought good luck in the forecasts. Last time, in 2005, Ang Lee saw as his movie "Brokeback Mountain" was defeated by "Crash" (one of the biggest upsets in the history of the Oscars that will make us curse the movie forever) and, in 1981, warren Beauty felt the same as the Asia director years later to see how not pronounce the name of his film, "Red", moments later, without ouch was "Chariots of Fire" that could rise as the best film of the year.
We assume that the great duality is between those who applaud the subtlety of the planes and the aesthetics of a film like "The Curious Case of Benjamin Button" that opens the door to the return of the "classical" Hollywood and among those who advocate a common global identity of cinema as is "Slumdog Millionaire" by the claim of Hollywood and Bollywood together on the same film. (While that itself with a story more dramatic than the previous charge, from my point of view). But, this duality will be overcome at the name for best adapted screenplay and will have been eliminated from the race.
Then where everything is at the expense of the winners for best adapted screenplay. Both will challenge resulting in the ultimate battle to win the best of the year. Battle where you can continue the above curse.
As for performance awards, the first question and curse haunts the best actor category where fellow workers have failed four times in the years of activity, the largest destination of the rest. However, it is the first time in 14 years that the union is the only one who disagrees with the rest, if we take the rest as Golden Globe and Bafta. Our adored Kate
runs with a bit of an advantage. Analyzing recent years, the resolution of the duality between two actresses has ignored the applause of the Screen Actors Guild, awarded to that recognized by the international press and the English academy, as happened last year between Marion Cotillard (Bafta winner and Golden Globe) and Julie Christie (winner of the Screen Actors Guild).
We will not stop the actor for obvious reasons, but the other big question: Best Supporting Actress. Here, let us refer to the Bafta award Penelope, the same award to Tilda predicted last year. However, it should not be as safe as the same Tilda got his praise to represent a film that could not fight hard in the other categories and could happen again.
Does exceed these curses and no longer have to go to them or happen again? Next Sunday we'll know.
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